Centaur
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Until I was thirteen, I knew myself
in the wild flow of an imaginary horse
corralled in my playhouse. With my
unbridled flesh and spirit, I rode out
book chapters and Saturday matinees:
Trigger and Black Beauty .
Roy and Dale, Autry and Oakley,
With my allowance, I bought
a brass horse at Thrifty’s, clutched
its beaded reins as I carried it home
like a treasure through the tunnel under
the Red Car tracks. I talked to it,
and when I turned the corner
of Beech Street, its polished body
had become soft and strong. Not
long after, I was told to become
a lady, and was trained to carry Kotex
in a plastic purse and not
wear white. It hurt to fall off
my horse, to have her fall out of me. I no
longer sang: Back in the Saddle Again.
It slipped away with my body. Saddles
became girdles, traces were braces
and reins-- the subject of debate.
As an adult, I remembered that horse,
the suede nose and hard
bones of its face, the feel of my hands
on its long back, the eagerness
to ride. I met the ghost of the girl
I had been. My hands and legs trained
by the years of holding on remembered
how to ride.
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